Title | Duel |
Agency | Bear Meets Eagle On Fire |
Campaign | Until Then |
Advertiser | IAG |
Brand | NRMA |
Date of First Broadcast/Publication | 2022 |
Business Sector | Insurance |
Media Type | Television |
Length | |
Production Company | Revolver |
Chief Creative Officer | Micah Walker |
Creative Director | Paul Gregson |
Creative Director | Ian Williamson |
Senior Producer | Emma Wright |
Managing Director | Toby Hussey |
Business Director | Hanne Haugen |
Strategist | Frank Bethel |
Director | Steve Rogers |
Executive Producer | Michael Ritchie |
Executive Producer & Producer | Pip Smart |
Director of Photography (DOP) | Nicolas Karakatsanis |
Production Designer | Steven Jones-Evans |
Designer | Joanna Mae Park |
Casting | Peta Einberg |
SFX Supervisor | Taj Trengrove |
Sound Executive Producer | Michael Gie |
Sound Design Company | Rumble Studios |
Lead Sound Designer | Tone Aston |
Sound Designer | Cameron Milne |
Sound Designer | Liam Annert |
Sound Designer | Daniel William |
Music Composer | Jeremy Richmond |
Editor | Elise Butt |
Editorial Producer | Michaela Fenton |
Editorial Company Executive Producer | Daniel Fry |
Production Company | Sarah Polak |
VFX Supervisor | Sheldon Gardner |
CG Artist | Mike Battcock |
CG Artist | Bethan Williams |
CG Artist | Federico Vanone |
CG Artist | Frank Engen |
CG Artist | Ihor Obukhovskyi |
CG Artist | Nigel Timms |
CG Artist | Quentin Corker-Marin |
Compositing | Eleonora Laddago |
Compositing | Manolo Perez |
Compositing | Time Based Arts |
Compositing | Olivia O'Neil |
Compositing | Ralph Briscoe |
Compositing | Timo Huber |
Compositing | Viola Bascombe |
Colorist | Lewis Crossfield |
Color Assist | Sharn Talbot |
Color Assist | Max Ferguson-Hook |